Wow, I can't believe that writing about this wasn't at the top of my list. Rated 9, 9, once again 9!
It's been a long time since I've actively booed and hurled things at the screen, but seriously... monkeys throwing feces on a wall until the poo dripped into the shape of words could have come up with better dialogue, especially for the 29-year-old accomplished female professor... whose father still considers her less to keep track of her life than the stoner neighbor he hasn't seen in 10 years. Comparatively, "Battlefield Earth" is the gem L. Ron Hubbard claims it to be. oohhh, my head hurts.
Thursday, September 4, 2008
Wednesday, September 3, 2008
Bullshit: Season 5
I enjoy watching this show, but it's almost always just a little bit libertarian-off for me to *actually* enjoy it. I mean, the writing is quite funny, but Penn averts his perspective and redirects it to anomaly, while also acknowledging scientific method, as if he is using it. (And you can find a scientist to support just about any talking point.)
e.g., "Hating Walmart is Bullshit". He "acknowledges" that *some* folks have a bone to pick, b/c 150,000 employees proved in court that they were treated illegally. The very next statistic is "but that's no big deal, b/c there are over 1 million Walmart employees!" Seriously? Over 10% of a company's workforce is able to prove in a very pro-business court system that the company mishandles them, and you don't think this might be a systemic problem that warrants criticism?
Nah... b/c there are some Trekkie-types who are printing unfunny anti-Walmart t-shirts! He 'hits his point home' by bringing forward a poor girl who believes that she would be unemployed if the anti-Walmart lobby had had their way. Seriously? If Walmart hadn't come to your neighborhood, there would be no better job in Chicago? Seriously?
The guy even boggles b/c the residents of his semi-depressed hometown don't want tear down the empty historic buildings downtown to build a Walmart, which would help folks not have to drive 20 miles to the 3 other nearby Walmarts. Yeah, I'd much rather have an abandoned Walmart warehouse in 5 years (too massive to repopulate), built with taxpayer incentives, than leave some empty pretty buildings where they are. I'd also like to chop down the rainforests to build a McDonalds.
Not to single out the episode I most clearly found to be Bullshit, but nearly every episode has some bit of double-standard reporting reminiscent of right-wing anger tactics. It's still funny, and I appreciate that at least there is some propaganda out there that's not from the crazy right-wing (certainly not as hateful as, say, Michael Savage), but it's still propaganda... hence not quite good. Rated 5.
e.g., "Hating Walmart is Bullshit". He "acknowledges" that *some* folks have a bone to pick, b/c 150,000 employees proved in court that they were treated illegally. The very next statistic is "but that's no big deal, b/c there are over 1 million Walmart employees!" Seriously? Over 10% of a company's workforce is able to prove in a very pro-business court system that the company mishandles them, and you don't think this might be a systemic problem that warrants criticism?
Nah... b/c there are some Trekkie-types who are printing unfunny anti-Walmart t-shirts! He 'hits his point home' by bringing forward a poor girl who believes that she would be unemployed if the anti-Walmart lobby had had their way. Seriously? If Walmart hadn't come to your neighborhood, there would be no better job in Chicago? Seriously?
The guy even boggles b/c the residents of his semi-depressed hometown don't want tear down the empty historic buildings downtown to build a Walmart, which would help folks not have to drive 20 miles to the 3 other nearby Walmarts. Yeah, I'd much rather have an abandoned Walmart warehouse in 5 years (too massive to repopulate), built with taxpayer incentives, than leave some empty pretty buildings where they are. I'd also like to chop down the rainforests to build a McDonalds.
Not to single out the episode I most clearly found to be Bullshit, but nearly every episode has some bit of double-standard reporting reminiscent of right-wing anger tactics. It's still funny, and I appreciate that at least there is some propaganda out there that's not from the crazy right-wing (certainly not as hateful as, say, Michael Savage), but it's still propaganda... hence not quite good. Rated 5.
Harold & Kumar: Guantanamo Bay
OMG, I almost PEED myself with laughter...
I mean, I liked "H&K: White Castle" just fine, but when I read that this one was not as good, it didn't remain at the top of my list of things to see.
Why would I be so enamored of a stoner movie? Probably b/c Kal Penn is not a stoner. Anything involving Seth Rogen? Looks pathetic. "Jay & Silent Bob"? Whatever. "Dazed & Confused"? Man, i hated that thing. (I did, however, totally dig "Dude, Where's My Car" - which I think of as more as "dumb kid" a la "Bill & Ted" than "stoner".)
This movie swam brilliantly through all of the stereotypes of "otherness". I haven't laughed this hard since... I don't remember when... (Last time I remember laughing like this was "Hitchiker's Guide to the Galaxy", which wasn't as overall good.) Rated 3+.
I mean, I liked "H&K: White Castle" just fine, but when I read that this one was not as good, it didn't remain at the top of my list of things to see.
Why would I be so enamored of a stoner movie? Probably b/c Kal Penn is not a stoner. Anything involving Seth Rogen? Looks pathetic. "Jay & Silent Bob"? Whatever. "Dazed & Confused"? Man, i hated that thing. (I did, however, totally dig "Dude, Where's My Car" - which I think of as more as "dumb kid" a la "Bill & Ted" than "stoner".)
This movie swam brilliantly through all of the stereotypes of "otherness". I haven't laughed this hard since... I don't remember when... (Last time I remember laughing like this was "Hitchiker's Guide to the Galaxy", which wasn't as overall good.) Rated 3+.
Baby Mama
Despite the presence of the Greg Kinnear (the cinematic equivalent of Kenny G), I enjoyed this film immensely. I worried that it might be too ya-ya-sisterhoody... but no. Solidly funny and sidestepping all the potholes that make "chickflicks" so pussy. I should have more faith in you, Tina Fey. I can't decide whose talent/ career I envy more: Tina Fey or Samantha Bee... (If I had idols...) My gut feeling is to say SB, because her political commentaries consistently rock my world. And she has the Canadian thing going for her... but it may just be b/c I've seen more of SB. (Thank you, dailyshow.com.) TF is certainly doing a lot to generally increase the tolerance/ acceptance of "female content" into the heart of mainstream comedy, while also significantly smartening it up. Thank you, ladies.
But I digress... "Baby Mama" is no "Citizen Kane", but it's certainly one of the better disposable comedies I've seen in recent memory. I laughed and laughed (and don't remember a real cringe). Rated 3-.
But I digress... "Baby Mama" is no "Citizen Kane", but it's certainly one of the better disposable comedies I've seen in recent memory. I laughed and laughed (and don't remember a real cringe). Rated 3-.
Thursday, August 28, 2008
300
This movie, however, I found to be *complete* crap.
I hated how it looked (brown video game), how it sounded (LOUD!), and couldn't have cared less about the plot (so I walked out).
I especially hate when ultra-testosterone movies try to wedge in a totally out-of-place female character. The SPARTAN mother is going to get all weepy when her son is taken to train for battle? Really? A SPARTAN mother? Yeah, that wispy chick whose presence is accompanied by Enya music. *That* SPARTAN mother.
I've heard that back in that time in history a woman was three times more likely to die in childbirth than a guy was to be killed in battle. In SPARTA, this should mean for one badass lady. Not some lame Arwen wannabe. (But you gotta appease the chicks who who heart their "i"s, who were dragged to watch this turd on a date...)
I also hated the battle scenes, which digitally throw on the battlefield the entire population of Greece. Believable. Yeah.
...but at least it was LOUD!
All this to make our soldiers feel manlier and more just? (When I couldn't help but to think that the Persians had the cooler work ethic.)
Rated 9. Sorry, folks.
I hated how it looked (brown video game), how it sounded (LOUD!), and couldn't have cared less about the plot (so I walked out).
I especially hate when ultra-testosterone movies try to wedge in a totally out-of-place female character. The SPARTAN mother is going to get all weepy when her son is taken to train for battle? Really? A SPARTAN mother? Yeah, that wispy chick whose presence is accompanied by Enya music. *That* SPARTAN mother.
I've heard that back in that time in history a woman was three times more likely to die in childbirth than a guy was to be killed in battle. In SPARTA, this should mean for one badass lady. Not some lame Arwen wannabe. (But you gotta appease the chicks who who heart their "i"s, who were dragged to watch this turd on a date...)
I also hated the battle scenes, which digitally throw on the battlefield the entire population of Greece. Believable. Yeah.
...but at least it was LOUD!
All this to make our soldiers feel manlier and more just? (When I couldn't help but to think that the Persians had the cooler work ethic.)
Rated 9. Sorry, folks.
Transformers: The New Movie
...because I couldn't even make it through the first half hour of that animated fiasco!
This movie has all of the elements that I hate in big movies: Corny dialog, racial caricature and stereotype, a super-reliance on special effects, a female lead whose *sole* purpose in the film is to witness the greatness of the otherwise-lame male lead, a 24-year-old high-level FBI hot-female scientist as *the* other female presence (besides mom), and even the Magic Negro. (Oh - and why did they even try to say that they were in "Las Vegas" while featuring the obvious features of the LA skyline?)
... despite this, I didn't really hate the movie. The actor playing the male lead was quite sympathetic, even. (I hear that he tried to channel George McFly, so that definitely worked for him.) I wasn't so disgusted that I couldn't at least acknowledge that I would *totally* be into this movie if I were a 13-year-old rich white boy.
Not to say that the movie wasn't crap, but you could do worse than to earn my near-neutrality: Rated 6.
This movie has all of the elements that I hate in big movies: Corny dialog, racial caricature and stereotype, a super-reliance on special effects, a female lead whose *sole* purpose in the film is to witness the greatness of the otherwise-lame male lead, a 24-year-old high-level FBI hot-female scientist as *the* other female presence (besides mom), and even the Magic Negro. (Oh - and why did they even try to say that they were in "Las Vegas" while featuring the obvious features of the LA skyline?)
... despite this, I didn't really hate the movie. The actor playing the male lead was quite sympathetic, even. (I hear that he tried to channel George McFly, so that definitely worked for him.) I wasn't so disgusted that I couldn't at least acknowledge that I would *totally* be into this movie if I were a 13-year-old rich white boy.
Not to say that the movie wasn't crap, but you could do worse than to earn my near-neutrality: Rated 6.
ST:TNG "The Outcast"
When I was a senior in HS, I visited OSU to compete for some sort of presidential scholarship. One part of the competition was to write an essay about what you felt to be the most important show on television and why. *Every* person I spoke with after the fact had answered "Star Trek: The Next Generation". (I did not.) And they "why" was b/c it addressed all sorts of social issues in such a thorough manner. While the season that we have been watching (yeah, I won't get to that through the backlog) came out after that time, I had been coming to understand what all these OSU-bound Trekkies were trying to say.
This episode, however, left me cold (on a topic I would otherwise be really hot about). (Androgyny is HOT!) This is an analogy that simply does not work in reverse. Seriously... if your species is physically androgynous, why would it be such a horrific sin to have feelings toward manliness or femininity? As long as you pair up with the proper counterpart, there wouldn't be any way for society to know about how you function behind closed doors. You'd still both have the same parts, so it's not as though you'd apply for a marriage license and be turned away for lack of proper gender.
And, in the end, it really made it as though the "solution" was *really* simple. The Janai'i being seemed pleased with the therapy, and I'm not feeling the tragedy for Ryker. (He'll find another species to love next week.)
Rated 5-.
This episode, however, left me cold (on a topic I would otherwise be really hot about). (Androgyny is HOT!) This is an analogy that simply does not work in reverse. Seriously... if your species is physically androgynous, why would it be such a horrific sin to have feelings toward manliness or femininity? As long as you pair up with the proper counterpart, there wouldn't be any way for society to know about how you function behind closed doors. You'd still both have the same parts, so it's not as though you'd apply for a marriage license and be turned away for lack of proper gender.
And, in the end, it really made it as though the "solution" was *really* simple. The Janai'i being seemed pleased with the therapy, and I'm not feeling the tragedy for Ryker. (He'll find another species to love next week.)
Rated 5-.
Monday, August 25, 2008
Wednesday, July 23, 2008
The Golden Compass
While I was reading the book, I kept wondering how on earth (or an alternate universe) they could possibly turn this into a movie. Not just in a "Lord of the Rings"-too-many-storylines-to-decide way, but because so much of the book is based on internal emotions and perceptions.
All in all, I think that they did a pretty fair job of translating it to the screen. Even though none of the characters (except for Lyra) looked *anything* like how I imagined them. They had so much 'action' to pack in that they were deftly able to keep it out of the internal realm. I suspect, though, that it goes too fast if you haven't read the book - much the same (but not as extreme) as the third Harry Potter movie (after the two dreadfully ssslllooowww ones) whipped you through at a crazy pace.
I was most disappointed by The bear fight, which turned a *brilliant* moment in the book into a scene straight out of "Back to the Future" (which is one of my all-time faves, but that doesn't make altering a story to quote it ok).
I also expected the movie to go on for at least one more scene. It ended completely differently than the book. Changing some things was fine, even expected in the Hollywood canon, but this major change left me completely confused (not to mention eliminating a great cliff-hanger).
I hear that box office receipts were disappointing, so they might not continue making the series, which would be a shame. I'd continue to watch, even when it's rated 4.
All in all, I think that they did a pretty fair job of translating it to the screen. Even though none of the characters (except for Lyra) looked *anything* like how I imagined them. They had so much 'action' to pack in that they were deftly able to keep it out of the internal realm. I suspect, though, that it goes too fast if you haven't read the book - much the same (but not as extreme) as the third Harry Potter movie (after the two dreadfully ssslllooowww ones) whipped you through at a crazy pace.
I was most disappointed by The bear fight, which turned a *brilliant* moment in the book into a scene straight out of "Back to the Future" (which is one of my all-time faves, but that doesn't make altering a story to quote it ok).
I also expected the movie to go on for at least one more scene. It ended completely differently than the book. Changing some things was fine, even expected in the Hollywood canon, but this major change left me completely confused (not to mention eliminating a great cliff-hanger).
I hear that box office receipts were disappointing, so they might not continue making the series, which would be a shame. I'd continue to watch, even when it's rated 4.
Tuesday, July 22, 2008
"The Golden Compass" by Philip Pullman
First, what I didn't like:
1) I'm getting pretty tired of the plot device of "the chosen one". From "Star Wars" to "Harry Potter" to "The Matrix", it's a bit formulaic by now (and by "by now" I mean "since the New Testament became a hit").
2) It must be a boy thing to envision your spirit solidifying at puberty. ("Men were quite clear that they had read their formative fiction around the age of 15," quotes one study on the reading habits of adults) If I were remotely the same person that I was when I was 13, I would cry. Daily. Just like I did then.
3) It's a kid's book. Yeah, so is Harry Potter, but I'd been reading some more grown-up stuff recently, so it seemed like a confusing step back.
4) It was explained how the story takes place in a world similar to ours, but not ours, in small print in a random credits page, so I didn't know until after I read th book, which totally confused me, trying to figure out when it was supposed to be and stuff...
5) How could they so purposefully insult the church? Heresy! The pope should issue a fatwa on the author!
Still, it was fun for a kid's book, with some heady stuff, and I'll gladly continue reading the series. Rated 3-.
1) I'm getting pretty tired of the plot device of "the chosen one". From "Star Wars" to "Harry Potter" to "The Matrix", it's a bit formulaic by now (and by "by now" I mean "since the New Testament became a hit").
2) It must be a boy thing to envision your spirit solidifying at puberty. ("Men were quite clear that they had read their formative fiction around the age of 15," quotes one study on the reading habits of adults) If I were remotely the same person that I was when I was 13, I would cry. Daily. Just like I did then.
3) It's a kid's book. Yeah, so is Harry Potter, but I'd been reading some more grown-up stuff recently, so it seemed like a confusing step back.
4) It was explained how the story takes place in a world similar to ours, but not ours, in small print in a random credits page, so I didn't know until after I read th book, which totally confused me, trying to figure out when it was supposed to be and stuff...
5) How could they so purposefully insult the church? Heresy! The pope should issue a fatwa on the author!
Still, it was fun for a kid's book, with some heady stuff, and I'll gladly continue reading the series. Rated 3-.
Albums by Year
Yeah, there about 20 things that I haven't yet taken the time to write down, but Felix (inspired by a Llama, etc.) posited an interesting exercise: best album by year, from the year you were born. I excluded compilations and soundtracks, which seemed to pare down my collection by a significant amount, and by "best" I mean what I enjoy the most. ...so if you think "Back to the Egg" sucks, well, you're probably right, but I like it, anyways:
1975 Queen, A Night at the Opera
1976 Stevie Wonder, Songs in the Key of Life
1977 Gilberto Gil, Refavela
1978 The Rutles (kind of a soundtrack, I guess, but the best I could come up with)
1979 Paul McCartney, Back to the Egg
1980 The Cure, Boys Don’t Cry
1981 Depeche Mode, Speak & Spell
1982 Michael Jackson, Thriller
1983 Prince, 1999
1984 Madonna, Like a Virgin
1985 Dead Milkmen, Big Lizard in My Backyard
1986 They Might Be Giants
1987 George Michael, Faith
1988 kdlang, Shadowland
1989 B-52s, Cosmic Thing
1990 Jane’s Addiction, Ritual de lo Habitual
1991 Marisa Monte, Mais
1992 Suzane Vega, 99.9*F
1993 Bjork, Debut
1994 Tori Amos, Under the Pink
1995 Pizzicato 5, The Sound of Music
1996 Beck, Odelay
1997 Les Elles
1998 Soul Coughing, El Oso / or / Rufus Wainwright
1999 Cibo Matto, Stereo Type A
2000 Golec uOrkiestra, 2
2001 Gorillaz
2002 Flaming Lips, Yoshimi Battles the Pink Robots
2003 Kaada, Thank You for Giving Me Your Precious Time
2004 Of Montreal, Satanic Panic in the Attic
2005 Petra Haden, The Who Sells Out
2006 Sean Lennon, Friendly Fire / or / Regina Spektor, Begin to Hope
2007 Cocorosie, Adventures of Ghosthorse and Stillborn
2008 Flight of the Conchords???
2008 isn't over yet, and that's probably the only album I've even (mostly) heard from this year. It takes time for stuff to filter through to me (or to stand out from the crowd on kcrw).
I had *huge* troubles populating the early 80s, which is surprising - a period of great tunes - but not many noteworthy albums. In fact, 1990 beat DM’s “Violator” only b/c I could find *no* other good album in 1981, and I was going on the premise that I'd only have one nominee per artist. It was hard work to pare down the list from 1989-1999, which makes sense - the albums that I could sneak to buy in HS, then when I had freedom in college, and finally as a compulsive concertgoer living in NYC. The few albums that I know and cherish from the last few years all seemed to stem from the same year or two, so, overall, competition was uneven...
I agree w/ the llama that it may not be worth the time it took to make the list, but so it goes.
1975 Queen, A Night at the Opera
1976 Stevie Wonder, Songs in the Key of Life
1977 Gilberto Gil, Refavela
1978 The Rutles (kind of a soundtrack, I guess, but the best I could come up with)
1979 Paul McCartney, Back to the Egg
1980 The Cure, Boys Don’t Cry
1981 Depeche Mode, Speak & Spell
1982 Michael Jackson, Thriller
1983 Prince, 1999
1984 Madonna, Like a Virgin
1985 Dead Milkmen, Big Lizard in My Backyard
1986 They Might Be Giants
1987 George Michael, Faith
1988 kdlang, Shadowland
1989 B-52s, Cosmic Thing
1990 Jane’s Addiction, Ritual de lo Habitual
1991 Marisa Monte, Mais
1992 Suzane Vega, 99.9*F
1993 Bjork, Debut
1994 Tori Amos, Under the Pink
1995 Pizzicato 5, The Sound of Music
1996 Beck, Odelay
1997 Les Elles
1998 Soul Coughing, El Oso / or / Rufus Wainwright
1999 Cibo Matto, Stereo Type A
2000 Golec uOrkiestra, 2
2001 Gorillaz
2002 Flaming Lips, Yoshimi Battles the Pink Robots
2003 Kaada, Thank You for Giving Me Your Precious Time
2004 Of Montreal, Satanic Panic in the Attic
2005 Petra Haden, The Who Sells Out
2006 Sean Lennon, Friendly Fire / or / Regina Spektor, Begin to Hope
2007 Cocorosie, Adventures of Ghosthorse and Stillborn
2008 Flight of the Conchords???
2008 isn't over yet, and that's probably the only album I've even (mostly) heard from this year. It takes time for stuff to filter through to me (or to stand out from the crowd on kcrw).
I had *huge* troubles populating the early 80s, which is surprising - a period of great tunes - but not many noteworthy albums. In fact, 1990 beat DM’s “Violator” only b/c I could find *no* other good album in 1981, and I was going on the premise that I'd only have one nominee per artist. It was hard work to pare down the list from 1989-1999, which makes sense - the albums that I could sneak to buy in HS, then when I had freedom in college, and finally as a compulsive concertgoer living in NYC. The few albums that I know and cherish from the last few years all seemed to stem from the same year or two, so, overall, competition was uneven...
I agree w/ the llama that it may not be worth the time it took to make the list, but so it goes.
Lost, Season 3, the second half
It's almost as if they asked the writers to hurry up and shove out whatever dreck they could before the strike, and then they actually worked on developing the scripts *during* the strike.
The second half of the season is actually interesting again! While it doesn't have the same excitement and intrigue of the first season, at least I don't feel as if I'm being dragged through a drinking game, and I'll continue watching without resentment. Rated 4+.
The second half of the season is actually interesting again! While it doesn't have the same excitement and intrigue of the first season, at least I don't feel as if I'm being dragged through a drinking game, and I'll continue watching without resentment. Rated 4+.
Monday, July 21, 2008
Wall-E
The best movie I have seen in years, I think.
What's amazing is that the first third is, essentially, a silent movie. Then, for the next 20 minutes, there are no more than three or so words exchanged. It's only in the last third that there is any dialogue. Usually, I'm a words girl. The plot has to be reeeally well-executed for me to have any interest in a low-dialogue production. But this was amazing.
It will probably never make the Rated 1 in my book (which cannot happen in the first viewing) because the end is a *little* bit too glossy, but it comes really close. So good. Rated 2.
What's amazing is that the first third is, essentially, a silent movie. Then, for the next 20 minutes, there are no more than three or so words exchanged. It's only in the last third that there is any dialogue. Usually, I'm a words girl. The plot has to be reeeally well-executed for me to have any interest in a low-dialogue production. But this was amazing.
It will probably never make the Rated 1 in my book (which cannot happen in the first viewing) because the end is a *little* bit too glossy, but it comes really close. So good. Rated 2.
Batman: The Dark Knight
Babygoat playing in daycare while I'm not working for one day has given Mr.Goat and me the unbelievable luxury of free time, which the desert heat dictates that I should spend in a nice, air conditioned theatre, instead of shoveling concrete in the backyard (which would be the practical alternative).
I was pleasantly surprised to enjoy this movie. After years of dreck being thrown from the graphic novel to the screen, I am so very, very turned-off to 'comic book' movies... To the best of my recollection, I haven't really liked one since the first "Spiderman". There were a few that I didn't wholly *dislike*, but nothing that I consider "good". ...but i whatever ads I saw didn't look too horrible, we had the time, and at the very least I could ogle (the very talented) Christian Bale. Yet even though this episode in the series did not contain any Bale-push-up workout scenes, I actually liked it.
A few things I did *not* like: 1) turning the Joker into "a freak who wears makeup". This is not what the Joker is. He has a backstory (as instable as it may be). I know how hard it is to make a bad guy have pathos and still be a bad guy, but his pigmentation is one constant of his character. Blah. 2) The movie was about 30 minutes too long. They could have split the whole 2-face conflict into a separate movie. Instead, I found myself thinking, "omg, ANOTHER fight?" about two story arcs before the end of the show. Really, they didn't need any additional explosions or vehicles. Blah-blah.
Despite these flaws (kudos for at least having the token female in an advanced stage of her career at least looking like she's in her 30s), at some point, I actually thought "this is what I had wished the movie in 1989 had been like". Rated 3.
I was pleasantly surprised to enjoy this movie. After years of dreck being thrown from the graphic novel to the screen, I am so very, very turned-off to 'comic book' movies... To the best of my recollection, I haven't really liked one since the first "Spiderman". There were a few that I didn't wholly *dislike*, but nothing that I consider "good". ...but i whatever ads I saw didn't look too horrible, we had the time, and at the very least I could ogle (the very talented) Christian Bale. Yet even though this episode in the series did not contain any Bale-push-up workout scenes, I actually liked it.
A few things I did *not* like: 1) turning the Joker into "a freak who wears makeup". This is not what the Joker is. He has a backstory (as instable as it may be). I know how hard it is to make a bad guy have pathos and still be a bad guy, but his pigmentation is one constant of his character. Blah. 2) The movie was about 30 minutes too long. They could have split the whole 2-face conflict into a separate movie. Instead, I found myself thinking, "omg, ANOTHER fight?" about two story arcs before the end of the show. Really, they didn't need any additional explosions or vehicles. Blah-blah.
Despite these flaws (kudos for at least having the token female in an advanced stage of her career at least looking like she's in her 30s), at some point, I actually thought "this is what I had wished the movie in 1989 had been like". Rated 3.
Backlog
Obviously, I haven't "made" the time to register my consumption in quite some time... so now I have to rely on memories, which may be erratic. Ohwell.
Thursday, June 19, 2008
"The Mother Tongue" by Bill Bryson
This book vacillated between the incredibly profound and the somewhat trivial. I adored the sections when it made history come alive, in the same way that Connections made science and warfare relevant, by describing the ways in which conquests or trends influenced language (the Norman invasion, e.g.). Occasionally, however, the text delved too deeply into trivialities, such as the fifty ways a certain word might be pronounced. Some paragraphs were only of skimmable interest... but not so many, so the book still gets a 2/3.
Juno
I liked this movie. I'm not sure that I bought a 20-year-old in the role of a 16-year-old... it made her, by nature, a bit more comfortable in he snarkiness than I'm willing to give for even a self-assured high schooler, while her not-boyfriend was so much more believable as a person... but I guess that was supposed to be the point... In the end, what I really loved was the ending. I feared that it might go into the saccharine happy-ending of, say, Saved! ...but it did not... which is rare. I especially liked that even though the man-with-power blew things because he has the maturity of a 16-year-old, it didn't stop the women from getting what they needed out of the situation. Not groundbreaking in style, but unusually satisfying as a story. Brava. (Rated 3+)
Friday, May 30, 2008
"Kids in the Hall" Live
I had seen the KITH on their tours in '94 & in '99/00(?). The first tour was brilliant. By the second, they were obviously having one last hurrah. The sketches were still funny, but they lacked some chemistry. I was excited to have the chance to see this tour, too, but I didn't have the highest hopes. The theatre was beautiful, and ...boy was I wrong. Back with new material, KITH were great. They looked good again, and their new sketches were hilarious... great timing and arrangement. They reprised a few characters, but brought back only one (slightly altered) sketch... which just happens to be my favorite. Bravo, rated 1-.
"Slaughterhouse Five" by Kurt Vonnegut
I should love this book -- It's about time travel (indeed, I can see an influence on "The Time Traveler's Wife")... and Germany -- ...but I didn't. I mean, it wasn't bad. It was OK. There were even a few profound moments. (A good foil to "The Matrix" in its presentation of acceptance of fate vs. free-will.) But, in the end, it totally reminded me of those old sci-fi books (which I associate w/ the 50s, but - as I'm learning from the astronaut series - 1969 was not that far ahead, in the mainstream)... Written from the pov of a privileged-and-intelligent-but-somehow-"off" white male, surrounded only by white men, except for those disposable, peripheral token ladies that they begrudgingly allow into their lives... the wives and daughters, who they don't really respect... well, suffice it to say that kind of literature alienates me. But that's just me. I'm sure the book is well above average, but I can only give it a 4.
"Song of Solomon" by Toni Morrison
I feel so often bombarded by mediocrity that I find myself astounded when I encounter a work so beautiful as this... The characters, the language, the story... great literature. Rated 1.
Tuesday, May 6, 2008
Big City Junk
Why would I buy a book by the same author as a piece of (true) junk that I rated with a 9? A delusion brought about by a temporary intoxication when something looks like it's populated with garage-sale design stylin' is my only excuse. Turns out that at least the author has some friends with interesting taste, so this book has some merit in featuring their hauls and creations. Displays of regional emphases available to junkers is also somewhat entertaining.) In the segments that feature the author's own junk collections, however, it's deja-vu of junk really equaling junk. (The habit has been passed on to her son, but his collections are not quite as crappy.) A significant improvement on the last read. Rated 6.
Sweeney Todd
Speaking of annoying ingenues, I forgot (rather, have been too busy) to write a blurb about this film (among others). What can I say? Every character that survived this comedic gore-fest, I personally wanted to slay. If this were the Toledo Rep's casting, I'd understand, but Tim Burton has access to a much deeper talent pool. Even Sasha Baron Cohen and Alan Rickman couldn't elevate the film out of the cutesy morass. Another reminder that - after years of being deceived by "Nightmare Before Xmas" - it is not Tim Burton whose talent I envy so much as Henry Selick's. Lest I sound too negative, I *did* like the film more than I thought I would, not being the biggest Sondheim afficionado (or scholar). I appreciated some nicely-structured bits of stage-to-film, and the singing wasn't abysmal. Besides the slay-worthy young, Tim Burton really needs to shuffle up his casting, however, I really had enough of Helena BC about fifteen years ago, and Johnny Depp's rep doesn't have *that* much redemptive power, let alone time and again. She does do "crazy" pretty well, though, I must say. Rated 4/5
Slings and Arrows, Season One
I feel that I am blending into a stereotype to admit how hilarious I found this series to be. When I was in Film, it was a joke how much folks in the film community *loved* movies about movies... and here I am, working in Theatre, laughing my ass off at a show about Theatre... and about putting on a production of "Hamlet" (which we are currently preparing), no less!
The only distractions I found were the lovely ingenues... Rachel McAdams' (oh great, she's going to be in "The Time Traveler's Wife" - an adaptation of a book I liked so much I'll have to see it) cutesie with the too-long-sweater-sleeves act struck me as an old-fashioned rehash of Jennifer Garner, and Luke Kirby is supposed to be an American Hollywood star? Right. What's that abooot? In the face of this drama and beauty, the season still gets a 2/3.
The only distractions I found were the lovely ingenues... Rachel McAdams' (oh great, she's going to be in "The Time Traveler's Wife" - an adaptation of a book I liked so much I'll have to see it) cutesie with the too-long-sweater-sleeves act struck me as an old-fashioned rehash of Jennifer Garner, and Luke Kirby is supposed to be an American Hollywood star? Right. What's that abooot? In the face of this drama and beauty, the season still gets a 2/3.
Kronos Quartet, Nonavut
I'd heard these guys on the radio, but the live concert (at Disney Hall) was quite an experience. The quartet's performance constantly reminded of what a physical act music really is. This was especially so in the pieces that involved guest artist Tanya Tagaq. I must predicate the following comments with the comment that - as crazy as it is - I "got" Yoko Ono when I saw her in concert (1999). I'm not going to listen to Yoko albums in the comfort of my home (except for Double Fantasy's "Give Me". That's hilarious.), but I'm not going to berate her as an insane warbler, as one very well might. This concert reminded me a lot of that experience. Apparently Tanya Tagaq has paired in the past with Bjork, and I can see why, but the most mellow Tagaq moment makes Bjork's most avant garde seem as poppy as Brittney Spears. Ms. Tagaq's performance, in fact, reminded me greatly of Ms. Ono's... if Ono could sing. This Inuit throat singing was nothing like I expected, but it clearly involves great skill. In between the orgasmic pantings, a pretty soprano would surface. This blend of cute and guttural struck me as surprisingly musical. How could such a clean sound survive the sandpaper aerobics that the vocal chords must surely endure? I don't know, but it was nice. Rated 2++
Tuesday, April 29, 2008
Asha Bhosle
This was my first concert at Disney Hall. It feels as though you are sitting inside a big elephant. The seating is well-arranged, and the design is beautiful - with a spectacular centerpiece organ.
I was impressed by Asha Bhosle's performance, in her 75th year. Late-life (TV) performances by singers such as, say, Rosemary Clooney seemed to me very belabored. Age (and weight) played heavy on the voice. I can't claim to be an astute judge of the gradients of quality in Indian music, but to me her performance was still fresh, with the high trill and twang still intact. I don't have the "now" and "then" tracks side-by-side to compare, but they were still quite soprano, which is impressive to me, knowing that most singers take their songs down an octave as they age.
The concert as a whole was somewhat dragged down by her "co-host", Amit Kumar, who spent entirely too much time (mostly in Hindi) extolling his late father, who often performed with Ms. Bhosle. It was a lovely gesture that the son could perform duets with her, but his solos were nowhere near the quality of the primary performer (white-jacket synth-fest), and the manner in which he delivered the long-winded comments that I could make out reminded me of a Singapore phrase: "He think he very can." While his solo segments made the concert drag (Lots of honkies left early, but I suppose much of the audience didn't have issue, since Bollywood flicks themselves tend to be four hours), he was quite adequate in his duet performances. And Asha Bhosle was stellar. Rated 2.
I was impressed by Asha Bhosle's performance, in her 75th year. Late-life (TV) performances by singers such as, say, Rosemary Clooney seemed to me very belabored. Age (and weight) played heavy on the voice. I can't claim to be an astute judge of the gradients of quality in Indian music, but to me her performance was still fresh, with the high trill and twang still intact. I don't have the "now" and "then" tracks side-by-side to compare, but they were still quite soprano, which is impressive to me, knowing that most singers take their songs down an octave as they age.
The concert as a whole was somewhat dragged down by her "co-host", Amit Kumar, who spent entirely too much time (mostly in Hindi) extolling his late father, who often performed with Ms. Bhosle. It was a lovely gesture that the son could perform duets with her, but his solos were nowhere near the quality of the primary performer (white-jacket synth-fest), and the manner in which he delivered the long-winded comments that I could make out reminded me of a Singapore phrase: "He think he very can." While his solo segments made the concert drag (Lots of honkies left early, but I suppose much of the audience didn't have issue, since Bollywood flicks themselves tend to be four hours), he was quite adequate in his duet performances. And Asha Bhosle was stellar. Rated 2.
Wednesday, March 26, 2008
No Country for Old Men
I tend to get lost with too many men acting in a piece, but not if they are unique enough. It was not a problem here. Still, (after "Eastern Promises") another load of violence (which the Coen bros generally do well) was probably not the best strategy.
eh... it was ok. The first half kept my interest, and Javier Bardem's performance was quite intriguing (visual association: 1, 2). But I did not see how his character followed some sort of "greater code", and I totally spaced out in boredom during Tommy Lee Jones' final monologue that was supposed to be the point (title) of the film... *yawn*
and Woody's character served no function... a quietly-paced film can't handle that much deadweight.
Rated 4+.
eh... it was ok. The first half kept my interest, and Javier Bardem's performance was quite intriguing (visual association: 1, 2). But I did not see how his character followed some sort of "greater code", and I totally spaced out in boredom during Tommy Lee Jones' final monologue that was supposed to be the point (title) of the film... *yawn*
and Woody's character served no function... a quietly-paced film can't handle that much deadweight.
Rated 4+.
Tuesday, March 25, 2008
Interior Desecrations, James Lileks
Oh, the joy to find a book that had been on my wish list (you know I'll never buy anything on it when I still have a bookshelf of stuff yet to be read) new for $3. I haven't checked out his hilarious website in many moons, but it is always a laugh. With wisdom teeth being removed, I needed some levity. Taking about thirty minutes to read, this fit the ticket. I dig modern design, and I love to laugh with someone else at the horrific ways in which it can go.
And yet I found myself saying... "that room is absurd, but that lamp? nice."
(...and I swear my uncle still owns that bedspread featured with the matching wall...)
Rated 4.
And yet I found myself saying... "that room is absurd, but that lamp? nice."
(...and I swear my uncle still owns that bedspread featured with the matching wall...)
Rated 4.
Lost, Gregory Maguire
His books keep falling in my lap. And while none has lived up to the brilliance of "Wicked", they entertain. I am not an afficionado of ghost stories, but this wasn't very ghosty.
On the down side, it takes many chapters of trodding through alternate-type text interspersed with the real story until you understand what's going on, and the resolution is pretty weak.
On the upside, much of it is a fun romp, and it's full of lovely wordage. And it is obviously quite diligently researched. I like some smarts in my books. Rated 4.
On the down side, it takes many chapters of trodding through alternate-type text interspersed with the real story until you understand what's going on, and the resolution is pretty weak.
On the upside, much of it is a fun romp, and it's full of lovely wordage. And it is obviously quite diligently researched. I like some smarts in my books. Rated 4.
Lost Season 4, Episodes 1-5
JJ Abrams seems to have a pattern of creating an intriguing television series, masterfully presented in a brilliant first season... and then letting it all fall downhill. The second season is still better-than-average, but some cracks appear in the facade. By the third season, it seems that the writers have all jumped ship, and the contradictions become so great that you begin to wonder if the new writers have even watched the first season. Yet you keep watching, waiting for the original promise of genius. Ratings sag, they eventually put an end date on the project, and you end up masochistically anticipating and wading through the rest of the muck to reach a final resolution. ...the answer to the great secret will be revealed in a brief two years!
So it was with "Alias", and so it seems to be with "Lost".
In "Alias", they replaced the excitement of story with on-again, off-again filial piety, and in "Lost" it's this wishy-washy love triangle, replete with a nauseating swelling soundtrack. bleagh. (New drinking game: take a shot every time one of the three changes his/her mind if s/he loves the other. You'll be able to forget how you're wasting another hour.) Same goes for the love/hate for Locke or Kevin Spacey - I mean Henry Gale, I mean "Ben". It's "can we trust Sloane? Even though he just tried to push his daughter off a building five minutes ago? Of course, he's repented!" all over again...
(Do they have any continuity of direction? I work with directors, and the good ones know the back-story on every last major and minor character. Every obscure detail and character trait, even those not referenced in any script. Ladies and gentlemen, consistency just left the building.)
...but then there's this fifth episode, which is not like the others. It's great! Why? Because they ripped off the plot from Star Trek. That's why.
If there's not some payout in the end to make up for the latent misogyny and extremist portrayals of "faith", I'll be very upset. But if "Alias" is any predictor, I expect that these will be some of many issues left unaddressed, originally introduced to boost ratings.
I rant and rave, but I guess it's not really worse than the average dreck on the telly. It's just such a waste of potential. So I'll rate it a 5.
And, of course, I'll end up watching it to the end.
Stupid Hope.
So it was with "Alias", and so it seems to be with "Lost".
In "Alias", they replaced the excitement of story with on-again, off-again filial piety, and in "Lost" it's this wishy-washy love triangle, replete with a nauseating swelling soundtrack. bleagh. (New drinking game: take a shot every time one of the three changes his/her mind if s/he loves the other. You'll be able to forget how you're wasting another hour.) Same goes for the love/hate for Locke or Kevin Spacey - I mean Henry Gale, I mean "Ben". It's "can we trust Sloane? Even though he just tried to push his daughter off a building five minutes ago? Of course, he's repented!" all over again...
(Do they have any continuity of direction? I work with directors, and the good ones know the back-story on every last major and minor character. Every obscure detail and character trait, even those not referenced in any script. Ladies and gentlemen, consistency just left the building.)
...but then there's this fifth episode, which is not like the others. It's great! Why? Because they ripped off the plot from Star Trek. That's why.
If there's not some payout in the end to make up for the latent misogyny and extremist portrayals of "faith", I'll be very upset. But if "Alias" is any predictor, I expect that these will be some of many issues left unaddressed, originally introduced to boost ratings.
I rant and rave, but I guess it's not really worse than the average dreck on the telly. It's just such a waste of potential. So I'll rate it a 5.
And, of course, I'll end up watching it to the end.
Stupid Hope.
Monday, March 17, 2008
Eastern Promises
I was interested to see this after listening to an interview with Viggo Mortensen about the role of language (and accent) in his acting process. I wasn't disappointed, but the plot was too similar to the last Cronenberg/Mortensen film I saw: instead of a bad guy pretending to be "good", however, Viggo plays a "good" guy pretending to be bad.
I realize that I am becoming very squeamish in my old age. I can't seem to stomach much violence anymore, and this was Sopranosesque at times. (Makes sense, since it's a mob movie... just a different ethnic diaspora.)
In summary, the acting and directing was good. A good movie, yet still somehow forgettable. Rated 3/4
I realize that I am becoming very squeamish in my old age. I can't seem to stomach much violence anymore, and this was Sopranosesque at times. (Makes sense, since it's a mob movie... just a different ethnic diaspora.)
In summary, the acting and directing was good. A good movie, yet still somehow forgettable. Rated 3/4
Monday, March 10, 2008
The Bourne Ultimatum
uh-oh... it was a few weeks ago I saw this, and already I remember very little. I suppose it was better than average, but that's not a good sign to be so forgettable. I remember being less impressed by the use of more technology (especially cell phones). Seemed a bit "Alias" like that. And to have hopelessly ensnared a mostly-innocent person in his flight seemed very deja vu... Rated 5+.
Sicko
OK, I'm ready to defect to another country.
No, seriously.
My life rocks in recent years. I really have everything to be thankful for, but I have also lived on the other side and know just how lucky I am. How we treat the rabble of uninsured is one issue, but this movie isn't even about the uninsured. It's about those who pay into the system and the American way of life and still end up screwed over/ dead. If you're lucky to have a network of some affluence, you might have some theoretical support on a personal level (if you're not too proud to beg), but we as Americans are by and large simply horrible to each other. But how can we help but be when we have to look after our own interests so closely?
Several days ago, I was listening to a story on Fresh Air (NPR) about a father and son who had written books about the son's battle with drug addiction. In recovery, the son discovered that what he really needed was just anti-depressants, not crystal meth. Apparently, 80% of drug addicts are suspected to be self-medicating for psychological disorders. I wonder if we had nationalized health care, and if we had doctors who earned bonuses based on the quality of attention doted on their patients, if it wouldn't affect the "war on drugs"... It would certainly help stem the feelings of exclusion and hopelessness that lead to violent outbursts , so we could stop being so bloody afraid of each other... (I'd pay an extra 10% in taxes to not have to read about another school shooting, but maybe that's just me...)
...but i digress...
I've lived abroad and already know how much better the quality of life is for folks in other developed countries. Halfway through the film, I found myself looking around the room and seriously asking myself if I could abandon all the great stuff I have (I do like my stuff) to live around other dirty socialists, and I found myself honestly replying: "If the weather is still nice? If I could have an equally awesome job? Absolutely."
No, seriously.
My life rocks in recent years. I really have everything to be thankful for, but I have also lived on the other side and know just how lucky I am. How we treat the rabble of uninsured is one issue, but this movie isn't even about the uninsured. It's about those who pay into the system and the American way of life and still end up screwed over/ dead. If you're lucky to have a network of some affluence, you might have some theoretical support on a personal level (if you're not too proud to beg), but we as Americans are by and large simply horrible to each other. But how can we help but be when we have to look after our own interests so closely?
Several days ago, I was listening to a story on Fresh Air (NPR) about a father and son who had written books about the son's battle with drug addiction. In recovery, the son discovered that what he really needed was just anti-depressants, not crystal meth. Apparently, 80% of drug addicts are suspected to be self-medicating for psychological disorders. I wonder if we had nationalized health care, and if we had doctors who earned bonuses based on the quality of attention doted on their patients, if it wouldn't affect the "war on drugs"... It would certainly help stem the feelings of exclusion and hopelessness that lead to violent outbursts , so we could stop being so bloody afraid of each other... (I'd pay an extra 10% in taxes to not have to read about another school shooting, but maybe that's just me...)
...but i digress...
I've lived abroad and already know how much better the quality of life is for folks in other developed countries. Halfway through the film, I found myself looking around the room and seriously asking myself if I could abandon all the great stuff I have (I do like my stuff) to live around other dirty socialists, and I found myself honestly replying: "If the weather is still nice? If I could have an equally awesome job? Absolutely."
Wednesday, February 20, 2008
Enter the Dragon
I expected this to be a crappy action movie, but I was interested in watching it after hearing the
soundtrack from the next room. Between that and the dude with the big 'fro, I expected it to be a blacksploitation piece, with at least a lot of camp entertainment value. ...but it actually wasn't bad as a movie. The choreography was very real and well-designed. I watched a very poorly-derived vhs print, so I have to wonder if the film had higher production values than it appeared. If it was originally made well and a print can be cleaned up, however, it's a keeper in the action canon. The foley editors obviously had a little too much fun with the sound effects and post-dubbing, making it cornier than it needed to be... but it was a fun romp. Rated 3/4.
soundtrack from the next room. Between that and the dude with the big 'fro, I expected it to be a blacksploitation piece, with at least a lot of camp entertainment value. ...but it actually wasn't bad as a movie. The choreography was very real and well-designed. I watched a very poorly-derived vhs print, so I have to wonder if the film had higher production values than it appeared. If it was originally made well and a print can be cleaned up, however, it's a keeper in the action canon. The foley editors obviously had a little too much fun with the sound effects and post-dubbing, making it cornier than it needed to be... but it was a fun romp. Rated 3/4.
Tuesday, February 19, 2008
Simpsons - Season 8
Homer's Enemy - so sad... i've seen it before and thought that it was sad then, too... I suppose that it's not poorly written, but I feel too much for the guy (and I don't watch 'Simpsons' for Schadenfreude) to rate it any higher than a 5.
Spin-off Showcase - Cute. Clever. Rated 4+.
The Secret War of Lisa Simpson - Cute. Would be cuter if it were ever alluded to again... 4+
Spin-off Showcase - Cute. Clever. Rated 4+.
The Secret War of Lisa Simpson - Cute. Would be cuter if it were ever alluded to again... 4+
From the Earth to the Moon (pt 1 & 2)
Too many guys who look the same for me to focus well on the narrative. And I'm seriously failing to see why I should get excited about a space program that was almost always one step behind the cutting edge... The second episode was a little easier to follow, however. Rated 5+.
Outfoxed
Why I am such a bad American? Because movies like this one are true. The more Fox you watch, the more falsely informed you are... yet those same people think themselves the truest, bluest patriots. We're going to H*** in a handbasket, but the journey has nothing to do w/ gay marriage. Whachagonnado? 'fraid nothin' can be done... Rated 3.
The Office (UK)
At first, I didn't think that I would be able to handle too much of this series at once. I've never had a boss who thought that he was funny, but I've worked with more than my fair share of discriminatory a**holes... I've pushed their memory in a corner of my mind where I do not wish to go. But the series is so brashly funny that it didn't eat at me as I thought it might, and I laughed and laughed and laughed. Comeuppance is in store, and in the end it's just a corny love story, anyways, no? Lovely. Rated 2.
Zoot Suit
A little bit "Cabaret", a little bit "Chicago", and a little bit "Fight Club... An original narrative, if not much as a musical. (Only the narrator ever sings, and only a few songs at that.) Taught me something, as I had no idea that "Zoot Suit" was a racist term for Latinos. I had only heard the term used, I think, in Billy Holiday's autobiography... Rated 4.
Maria Montessori - The Absorbent Mind
It makes so much sense to me: have your child treat every day as an opportunity to explore, and give them the structured freedom to explore, and they will be too busy to try to get into trouble. Kids *want* to learn. They have to be taught to be lazy. (Watching my daughter, I would say that this is so.) I am so lucky to have been allowed to study at a Montessori school for two of the prime formative years (thank you, Harriet!!!). Especially after reading this book, I see how - while I went on to learn some bad habits from later influences - a lot of what I learned there at the very least instilled in me a love of learning. Rated 2+.
Wednesday, February 13, 2008
Dead Like Me - RIP
"Last Call", "Always", "Haunted"
I'll lump these final episodes together in a fabulous heap. Such a beautiful way to end a series. Never has a series about death been so life-affirming to me. Rated 2.
I'll lump these final episodes together in a fabulous heap. Such a beautiful way to end a series. Never has a series about death been so life-affirming to me. Rated 2.
Star Trek - All Good Things...
I had already seen this episode a while back. Q ends this series, at least, as mischievously as he entered it. I've been a fan of the time travel since my childhood (see previous post), so of course I enjoyed this episode. Rated 2-.
Star Trek - Q2
Farewell, sweet Q. I have now seen every episode featuring you.
You did not end with the same omnipotent bang with which you entered, but I respect you all the same.
I would have loved this episode if I were 12. Not only is the writing on par with the type of drama I would have found inspiring at that age, Q's mischievous offspring (also the actor's) somehow reminded me of my childhood actor-crush, Meeno Peluce. Rated 5.
You did not end with the same omnipotent bang with which you entered, but I respect you all the same.
I would have loved this episode if I were 12. Not only is the writing on par with the type of drama I would have found inspiring at that age, Q's mischievous offspring (also the actor's) somehow reminded me of my childhood actor-crush, Meeno Peluce. Rated 5.
Thursday, January 31, 2008
The Short Films of David Lynch
A pleasant DVD surprise. The film historian in me especially enjoyed the introductions before each film.
1 Six Figures Getting Sick (Six Times) 2+. surreal art piece. i'd stop and watch it at a museum.
2 The Alphabet 4/5... eh.
3 The Grandmother 4/5. reminds me of what I remember of "The Wall" for some reason.
4 The Amputee... did not want to look right on my tv. can't comment. dragged, though.
5 The Cowboy and the Frenchman 2+. Hi-LARIOUS!
6 Premonitions Following an Evil Deed 2. beautiful idea. very interesting to watch
1 Six Figures Getting Sick (Six Times) 2+. surreal art piece. i'd stop and watch it at a museum.
2 The Alphabet 4/5... eh.
3 The Grandmother 4/5. reminds me of what I remember of "The Wall" for some reason.
4 The Amputee... did not want to look right on my tv. can't comment. dragged, though.
5 The Cowboy and the Frenchman 2+. Hi-LARIOUS!
6 Premonitions Following an Evil Deed 2. beautiful idea. very interesting to watch
Wednesday, January 23, 2008
Dead Like Me - Forget Me Not
I'm surprised that this episode did not give me nightmares, the ending was so creepy. Very nice. Suspenseful. (With a special appearance by Yeardley Smith, who I haven't seen on screen since the days of Herman's Head.) 2-.
Star Trek - The Q and the Grey
The Q seem to have ever greater limitations as time goes on. You'd think that an omnipotent being could impregnate a species at will, and even make gestation instantaneous if so desired. But then there wouldn't be much of an episode, and I suppose it's fair. Rated 4-
Tuesday, January 22, 2008
The Simpsons - Season 8
Homer vs. the 18th Amendment - A pretty lame ending, what with just not having read the paper to the end. Besides, homemade beer isn't so hard to make. Rated 5.
Grade School Confidential - Cute and very adult, without being heavy. Reminds me somewhat of the episode where Milhouse's parents get divorced. Rated 3.
The Canine Mutiny - A little extra something so that it falls short of predictable. Rated 4/5.
The Old Man and the Lisa - Yes, I have the Lisa bias. But it's a great play on her character. Rated 2/3.
In Marge We Trust - I don't even think of this as a Marge episode. I think of it as Mr. Sparkle. And Mr. Sparkle is hilarious. Rated 2/3.
Grade School Confidential - Cute and very adult, without being heavy. Reminds me somewhat of the episode where Milhouse's parents get divorced. Rated 3.
The Canine Mutiny - A little extra something so that it falls short of predictable. Rated 4/5.
The Old Man and the Lisa - Yes, I have the Lisa bias. But it's a great play on her character. Rated 2/3.
In Marge We Trust - I don't even think of this as a Marge episode. I think of it as Mr. Sparkle. And Mr. Sparkle is hilarious. Rated 2/3.
Star Trek - Death Wish
I like how "Q" is introduced to the "Voyager" series, especially how - through an encounter with a jaded philosopher Q - it can write off his previous lame behavior (*cough* Vash) in as a reaction to the dullness of continuum culture (which reminds me of a "Life in Hell" cartoon I pasted on my wall for many years that said something like "Wouldn't eternity get boring after a while?"). It gives me hope that future Q episodes will find him once again back to his mischief.
His counter-Q, however, ends disappointingly. If he truly wanted to be mortal just for a new experience, you'd think that he could savor the feeling of mortality for a few days (or decades) before ending it all. Q2's death seemed more of a lame device to neatly round out the episode (especially the taunting of Home) than a meaningful denouement. Rated 4.
His counter-Q, however, ends disappointingly. If he truly wanted to be mortal just for a new experience, you'd think that he could savor the feeling of mortality for a few days (or decades) before ending it all. Q2's death seemed more of a lame device to neatly round out the episode (especially the taunting of Home) than a meaningful denouement. Rated 4.
Rifftrax - Star Wars III, Revenge of the Sith
Rifftrax introduces this movie with the description that it is known as the least offensive of the three Star Wars prequel films (and goes on to humorously detail analogies for what, exactly, this means). And I recall that when I saw this in the theatres I felt the same way and almost liked it. Watching it again, however, it's really quite boring. I'm sure somebody out there has analyzed the content in the form of a pie chart, and it has *got* to be 90% special effect battles and/or really dull exposition to drag us along the dull, dull plot. I remember before thinking that the final light saber duel was pretty cool, but now I just couldn't care about yet another fight, and that moody, moody boy. But nothing in particular stands out as particularly offensive (except the incongruity in the later movies that Leia 'barely' remembers her mother when Luke asks, where in this case Luke knew her for about thirty seconds more than her). It merely bores me to neutrality. Rated 5.
Dead Like Me - Ashes to Ashes
It's too bad that this series only lasted two seasons, because I only have one disc left to watch and it's really picking up steam. It balances so many storylines well - among the dead, the undead, and the living - and with honest emotion. And in doing so it doesn't contradict itself all too much. I'll be sad when it has finished. (Especially since I doubt that the last episode will wrap everything neatly. I don't know if they planned to end after only two seasons.) Rated 3+.
Northern Exposure - Cicely
I liked this episode, but I could have liked it a lot more. Perhaps I identified with it more it b/c Roslyn reminds me of so many of my college classmates. But probably more so b/c I like when folks learn about history. I would've liked it more if the history characters weren't played by folks in present-day town (more using character stereotype), especially b/c it reminded me of some other episode (which I can't think of at the moment). But I guess I understand why they did it that way. Rated 5+.
Northern Exposure: Our Wedding
Not really a bad episode, but getting trite in its reliance on the characters' overt character stereotypes. Also, recycling old themes too much. Rated 5-.
Kiss of the Dragon
Watching this movie, I was thinking: Wow, this is like The Transporter. It's like somebody got together a bunch of stylized actors who can't act at all and who barely speak English, but they look cool, and their lack of speaking skills won't be recognized in most of the world. It really sucks, but the nifty choreography is what most viewers are going to remember, so people are going to say that it's pretty good. Which it isn't. At all.
Surprise, surprise, the screenplay of this piece of dreck was same as The Transporter.
Yet, the fight scenes *were* well-choreographed and filmed (much more seamlessly than The Transporter, actually, and other movies have offended my delicate sensibilities much more than this turd. And, on the bright side, when the big, ripped black man appeared out of nowhere to gratuitously rip off his shirt (in an obvious desperate ploy to expand the film's demographic)... well, I haven't laughed so vigorously at the screen since that dagger nearly pierced Tom Cruise's eye in Mission Impossible II. Rated 8. (I'd give it an 8+, but on principal I just can't bring myself to associate a "plus" with this film.)
Surprise, surprise, the screenplay of this piece of dreck was same as The Transporter.
Yet, the fight scenes *were* well-choreographed and filmed (much more seamlessly than The Transporter, actually, and other movies have offended my delicate sensibilities much more than this turd. And, on the bright side, when the big, ripped black man appeared out of nowhere to gratuitously rip off his shirt (in an obvious desperate ploy to expand the film's demographic)... well, I haven't laughed so vigorously at the screen since that dagger nearly pierced Tom Cruise's eye in Mission Impossible II. Rated 8. (I'd give it an 8+, but on principal I just can't bring myself to associate a "plus" with this film.)
Wednesday, January 16, 2008
Dead Like Me - Death Defying
In one sitting, it's an about-face from everything in the previous post, but almost equally as satisfying. Unlike many other tv shows, where I find myself watching and waiting for it to reach its potential, "Dead Like Me" unfolds beautifully. I admit, I get irked when they reap murders, when they are supposed to only deal in accidents, but I'll skim over this fact in light of their fine character development. Rated 2-.
Star Trek - Tapestry
After a slate of less-than-stellar viewing experiences (future entries), it was nice to have a double-shot of the good stuff. This well-written episode resonates with me, as I have often thought how my life might have panned out if I had had certain traits in my youth that I have only recently developed. But the I always come to the same conclusion, which is that I wouldn't change the bad choices I've made in my past at the sacrifice of my current self. And why would I want to? That is, after all, what being human is all about. As Q and Jean Luc discover.
It is odd, however, that Jean Luc accepts defeat and "wants out" from Q so quickly in his alternate reality. You'd think that with his pluck and vigor he could find new chances to take and paths to forge. ...but I guess it is hard to establish a new career at his age. (Speaking of which, his kissing his Academy friend was even creepier than young-enough-to-be-my-daughter Vash. But that's just me.) Rated 2+
It is odd, however, that Jean Luc accepts defeat and "wants out" from Q so quickly in his alternate reality. You'd think that with his pluck and vigor he could find new chances to take and paths to forge. ...but I guess it is hard to establish a new career at his age. (Speaking of which, his kissing his Academy friend was even creepier than young-enough-to-be-my-daughter Vash. But that's just me.) Rated 2+
Friday, January 11, 2008
Star Trek - Q-less
I appreciate when the Trek series' play with each other, and I dislike Vash less with this follow-up episode, but mustn't Q have learned Love to behave in this manner? He seems more like a moody teenager being dumped than an omnipotent being. Well, I suppose that Gods can do whatever they want. Rated 4-.
Star Trek - True Q
At first, I was concerned to see another perhaps flighty ensign(ish) on board in this episode. The Love of Love - as if it's the only weapon against Q - gets a bit cloying, but the episode was fair. That girl must have special powers to have such a complicated wardrobe that sets her off so beautifully. Rated 4.
Northern Exposure - It Happened in Juneau
Way too much Chris quoting for me to care. And having his voice leave him has already been done. The plotline with Fleischman and Maggie was also too played-out and trite. Rated 5-.
Star Trek - Qpid
*sigh* This episode required prior knowledge of characters, which I did not have. Fortunately, Mr.Goat is a virtual Trek Oracle. I didn't like the dippy ensign character, who didn't seem to have much purpose. Neither did I understand why Picard would fall for someone as morally corrupt as Vache - excuse me... Vash. But I suppose it's a play on that old "good girls like bad boys" adage. ...and then they run off with your nemesis.
Fair enough. Rated 3-.
Fair enough. Rated 3-.
Tuesday, January 8, 2008
Star Trek - Deja Q
Funniest. Star. Trek. Episode. Ever.
Again, it's a science + religion episode that gets me. You get a godlike creature who has to be a mortal human... it's like Jesus, see? Only this God never wanted to be human. And who turns out to be his best friend? An android.
...But it's not as lame as that sounds. When people tell me how easy my baby's life must be, I always comment how I think it's hard work to be a baby. So much to learn, every day... and babies don't know how to slack off (or still know that slacking wouldn't be in their best interest). Q knows everything about the universe but nothing about life, and his dilemmas are like those of a baby who can talk. Brilliant. (Should I revisit "Mork and Mindy"? Wasn't that part of the plot?) Rated 2, with potential.
Again, it's a science + religion episode that gets me. You get a godlike creature who has to be a mortal human... it's like Jesus, see? Only this God never wanted to be human. And who turns out to be his best friend? An android.
...But it's not as lame as that sounds. When people tell me how easy my baby's life must be, I always comment how I think it's hard work to be a baby. So much to learn, every day... and babies don't know how to slack off (or still know that slacking wouldn't be in their best interest). Q knows everything about the universe but nothing about life, and his dilemmas are like those of a baby who can talk. Brilliant. (Should I revisit "Mork and Mindy"? Wasn't that part of the plot?) Rated 2, with potential.
Year of the Goat
Living the dream, man. Living the dream.
Spending a year on the road (kind of), visiting goat farm after goat farm, sampling all manner of tasty chevre. I'm not too keen on reading about goat slaughter and its meat byproducts, but let the omnivores have their fun. At least they talk about responsible slaughter. The talk of the cheese kept my mouth watering long enough so that I didn't care so much about the market for halal goat.
In theory, I wouldn't see myself caring too much to read a travel narrative by two upper-class(ish) Manhattanites and their search for a simpler life. (Isn't that what [*shudder*] New Jersey is all about?) But the prose was fun and accessible without being trite, and the tales were varied and well-organized. They also have done all of the research for what would be a few lovely vacations, in my book. (If I had read this last year, my trip to Texas' hill country would have been quite different.) Rated 3+.
Spending a year on the road (kind of), visiting goat farm after goat farm, sampling all manner of tasty chevre. I'm not too keen on reading about goat slaughter and its meat byproducts, but let the omnivores have their fun. At least they talk about responsible slaughter. The talk of the cheese kept my mouth watering long enough so that I didn't care so much about the market for halal goat.
In theory, I wouldn't see myself caring too much to read a travel narrative by two upper-class(ish) Manhattanites and their search for a simpler life. (Isn't that what [*shudder*] New Jersey is all about?) But the prose was fun and accessible without being trite, and the tales were varied and well-organized. They also have done all of the research for what would be a few lovely vacations, in my book. (If I had read this last year, my trip to Texas' hill country would have been quite different.) Rated 3+.
The Bourne Supremacy
It's not high art, and the protagonist's emotional push was inevitable, but it's refreshing to see an action movie made without so many computer-generated special effects (the early Bond films were proud of their real-life stunts) or reliance on technological plot devices. I wasn't even too disturbed by the notion that a girl born in 1979 was supposed to be able to hold down a high-level CIA job. (Katie Holmes posing as an Assistant DA in "Batman Begins", on the other hand, irked me to no end.) The movie also made me wax sentimental for Europe, especially so every time I recognized the Westin Grand in Berlin, where I spent several nights of my honeymoon. Rated 3.
Sunday, January 6, 2008
Stardust
When I hear of a Gaiman book being translated to film (a major one at that), I am suspicious. Were I a director, I wouldn't even attempt to translate such brilliant fantasy to mere (visual/ cinematic) reality. The potential for disappointment is too great. I commend Matthew Vaughn for this effort. (I kept thinking - "This is how Terry Gilliam's films could be!") Surprisingly delightful casting and cinematography, special effects not at all cloying. Funny where it should be (although the pirate fairy could have been a bit more subtle), sappy where appropriate, and true enough to the book to not cause raised eyebrows. Reminiscent of "The Princess Bride", even.
But then there's the ending. Between making the happily ever after more happy than necessary and the mind-numbing credit song that follows the denouement, the mood is thrown out the window at the 11th hour, and my rating drops from a very solid "2 with potential" to a 2/3.
But then there's the ending. Between making the happily ever after more happy than necessary and the mind-numbing credit song that follows the denouement, the mood is thrown out the window at the 11th hour, and my rating drops from a very solid "2 with potential" to a 2/3.
Les Miserables
According to my records, I started this 900-page-behemoth on 10/15. Finishing on Christmas Eve is pretty respectable, considering all of the other media consumed and hours worked in the interim.
My interest in the story ebbed and flowed throughout the pages. The first few hundred pages were delightful in their romanticism. I found Fantine's sacrifices touching and Jean ValJean's moral development quite lovely. Then a few hundred pages on somewhat tedious political struggles would slow me down. Then a sappy love story took the reins, more antiquated political intrigue, tempered by a more interesting plea for street children, and capped off with more lame ladies and melodrama involving folks not knowing who sacrificed what for whom, and worrying about fitting into high society. But through this all, Jean ValJean remained a captivating character. Long story short, 900 (abridged!) pages is quite a feat of writing, and you have to expect some down time. Not every page can please, and it seemed to be somewhat of a crowd pleaser (like the musical, but less severely so). More or less, however, this novel meets its mark. Rated 3+.
My interest in the story ebbed and flowed throughout the pages. The first few hundred pages were delightful in their romanticism. I found Fantine's sacrifices touching and Jean ValJean's moral development quite lovely. Then a few hundred pages on somewhat tedious political struggles would slow me down. Then a sappy love story took the reins, more antiquated political intrigue, tempered by a more interesting plea for street children, and capped off with more lame ladies and melodrama involving folks not knowing who sacrificed what for whom, and worrying about fitting into high society. But through this all, Jean ValJean remained a captivating character. Long story short, 900 (abridged!) pages is quite a feat of writing, and you have to expect some down time. Not every page can please, and it seemed to be somewhat of a crowd pleaser (like the musical, but less severely so). More or less, however, this novel meets its mark. Rated 3+.
Saturday, January 5, 2008
Star Trek - Q Who?
The Star Trek "Q Collective" contains all episodes featuring this popular character, so I find the narrative continuity particularly fulfilling. (And yes, they address the backlash of his previous appearances.) It's nice not to have to ask Mr.Goat questions about what I have missed between selected episodes. Q is cool in his unpredictability. At times, it seems that he's just playing mischievous mind games, and at other times flashes of evil psychosis spark up in his demeanor. Take the prime humanity of Jean Luc, the unpredictability of Q, and mix in the dreadful (in its effect, not quality) predictability of Borg, and you have a recipe for a good episode. (Borg Babies!) Note: Riker has already taken on the Billy Joel look in season 2. Rated 2.
Simpsons - My Sister, My Sitter
The sibling relationship episodes in The Simpson tend to be quite satisfactory. Since my own baby bears a vague physical resemblance to Maggie, her performance in this episode cracked me up, in particular. Baby on coffee ice cream = HI-larious. I never read the babysitter club books, so I'm missing out on something, but I still rate this episode a 2.
Rifftrax - Star Wars II, Attack of the Clones
Compared to the horror that was The Phantom Menace, Attack of the Clones is a masterpiece of the cinema. Then again, so would be "The Care Bears Movie". Actually, Episode II is not that bad. The acting and much of the dialogue is horrible, and the special effects are really overused... but it isn't largely unwatchable and even has some cool parts. Like the sonic boom (which sounded much less cool, since I no longer have my surround sound system) and yoda's fight scene. It disturbs me, however, that my brother philosophizes in lines way too close to those of young Anakin (in particular, the 'rolling in the field' scene). Fortunately, my family doesn't have claim to mitichlorians, a virgin birth, or sword fighting expertise (unless you count my semester of fencing). In the end, the cool elements and low expectations outrank the serious demerits. Rated 4/5.
Thursday, January 3, 2008
The Bourne Identity
I never would have seen this movie, if it weren't for the recommendation of a friend, but it proved better than the average action movie I've seen lately. Unlike many sequels (or even tv shows), I would watch the sequels anticipating enjoying them, not just waiting to complete the series. The female was fairly disposable but wasn't overplayed as a romantic device, and I'm partial to Lola Rennt to begin with. Rated 3/4
Star Trek - Hide & Q
Another First season surprise.
I realize that I am used to seeing Riker from later episodes, and I have always called him "That Billy Joel guy", in reference to his unattractive features with a beard. But in the first season, I see that he was supposed to be traditionally good-looking. He looks like a young Orson Welles, so I guess I shouldn't be surprised, since he eventually became an old Orson Welles... on a similarly superficial vein, I'm sad to see that the actor playing the adorable Q also did not age so cutely. (He looks like a retired boater in this photo, at least.) Well, that's life.
I enjoyed this episode, even though the performances were somewhat stodgy. And I will have to knock it down a notch if they never mention Q being punished by his people.
Rated 3+
I realize that I am used to seeing Riker from later episodes, and I have always called him "That Billy Joel guy", in reference to his unattractive features with a beard. But in the first season, I see that he was supposed to be traditionally good-looking. He looks like a young Orson Welles, so I guess I shouldn't be surprised, since he eventually became an old Orson Welles... on a similarly superficial vein, I'm sad to see that the actor playing the adorable Q also did not age so cutely. (He looks like a retired boater in this photo, at least.) Well, that's life.
I enjoyed this episode, even though the performances were somewhat stodgy. And I will have to knock it down a notch if they never mention Q being punished by his people.
Rated 3+
Star Trek - Encounter at Farpoint
I had heard that the first season of ST:TNG was mostly unwatchable, so I was pleasantly surprised and impressed by the pilot. I thought that it did a quite good job of introducing a large cast of characters (even if it doesn't address some of the character traits given ever again), and Q is always delightful. Zorn also reminded me of Christopher Walken. While a less brilliant incarnation, the allusion is still positive. Rated 2-
Northern Exposure - Season 3
Always behind on time to record... several episodes here:
Democracy in America - Too much Chris, too much Fleishman in his annoying element. (Whatever happened to those dream sequences of previous seasons? *sigh*) 4
Three Amigos - Lots of episodes about dealing with death, aren't there? The flitting widow is funny, tho. 4+
Lost & Found - Complex and more subtle. 3-
My Mother, My Sister - Cute enough. 3/4
Wake Up Call - Very nice. Would have been more original if they hadn't already had Maggie's ex "reincarnated" as a dog. 2-
The Final Frontier - I had been wondering for a while what had happened to these characters, and I don't like when tv shows leave things hanging, but yet *another* coping with death theme? 3-
Democracy in America - Too much Chris, too much Fleishman in his annoying element. (Whatever happened to those dream sequences of previous seasons? *sigh*) 4
Three Amigos - Lots of episodes about dealing with death, aren't there? The flitting widow is funny, tho. 4+
Lost & Found - Complex and more subtle. 3-
My Mother, My Sister - Cute enough. 3/4
Wake Up Call - Very nice. Would have been more original if they hadn't already had Maggie's ex "reincarnated" as a dog. 2-
The Final Frontier - I had been wondering for a while what had happened to these characters, and I don't like when tv shows leave things hanging, but yet *another* coping with death theme? 3-
Simpsons Episodes, Season 8
El Viaje Misterioso de Nuestro Jomer - Homer being an a** again, but you can't go wrong with animated surreality. 3+
The Twisted World of Marge Simpson - Cute enough. 3/4
Mountain of Madness - Cute enough. I've seen it many times, however. 3/4
Simpsoncalifragilisticexpiala(annoyed grunt)cious - Way cuter than the movie on which it is based. 2
The Itchy & Scratchy & Poochie Show - 3
Homer's Phobia - Edgy, hilarious. 2
Brother From Another Series - Probably funnier if I had watched Frasier, but funny nonetheless. Poor Sideshow Bob. 2/3
The Twisted World of Marge Simpson - Cute enough. 3/4
Mountain of Madness - Cute enough. I've seen it many times, however. 3/4
Simpsoncalifragilisticexpiala(annoyed grunt)cious - Way cuter than the movie on which it is based. 2
The Itchy & Scratchy & Poochie Show - 3
Homer's Phobia - Edgy, hilarious. 2
Brother From Another Series - Probably funnier if I had watched Frasier, but funny nonetheless. Poor Sideshow Bob. 2/3
Subscribe to:
Posts (Atom)
